Abandoned Farmhouse Ruins In Indiana Black And White | Limited Edition of 10
Weathered Farmhouse Beneath A Heavy Indiana Sky
On a rural road in Indiana, I came across this large farmhouse standing alone beneath a heavy sky. The building had been left to weather in place, and the dark clouds seemed completely in tune with it. Nothing about the scene needed to be dramatized. The age of the house, the open fields, and the approaching weather already carried enough weight. This photograph sits naturally with my abandoned places wall art, where real structures and the marks of time remain the center of the image.
What first held my attention was the scale of the farmhouse and the amount of its structure that had been exposed. Sections of siding had fallen away, windows were empty, and long vertical studs were visible across the front. The roof was broken in several places, with worn shingles lifting and collapsing around the old chimneys. In the foreground, tall grass surrounded a fallen section of fencing, adding another layer of neglect without hiding the house itself.
I photographed the farmhouse on location during a moody day in rural Indiana. I remember how the dark, low clouds fit the feeling of the old abandoned building, giving me the kind of natural atmosphere I look for rather than something staged. The black-and-white treatment keeps attention on the weathered wood, broken rooflines, empty openings, and tonal separation between the house and sky. It also gives the photograph a directness that suits the subject.
Although this was a rural farmhouse rather than an abandoned town, its isolation carries the same visual character found in my ghost town wall art photography. There is a sense that daily life once filled these rooms, but the image does not try to invent a story about who lived there. I was more interested in what remained in front of me: a substantial American farmhouse slowly giving way to weather, gravity, and time.
The photograph works because the building still has a strong physical presence despite its condition. Its asymmetrical roof, exposed framing, dark windows, and surrounding field create detail that can be viewed from across a room or studied at close range. It is a good fit for someone drawn to rural architecture, abandoned places, Indiana history, and black-and-white photography. In a living room, office, study, or hallway, it can add a quiet, weathered character without feeling decorative for its own sake.
Each limited edition print is personally signed and includes a certificate of authenticity. The edition is limited to 10, and the photograph is produced with archival pigment inks on premium archival paper for lasting image quality and tonal detail. For those who appreciate darker architecture and places shaped by time, my haunted places fine art photography carries that same restrained atmosphere.
© Dan Kosmayer, 2007
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
Worldwide Delivery Included
Every print is personally produced, inspected, signed, numbered, and carefully packaged by me at my studio in Haliburton, Ontario, Canada.
Worldwide delivery is included in the listed price, so there is no additional shipping charge added during checkout. I select an appropriate tracked delivery service based on the destination, print size, and current shipping requirements.
Delivery times vary by destination and may be affected by customs processing or circumstances beyond my control.
Because I also travel extensively to create new photographic work, studio dispatch may occasionally be delayed while I am away. When that happens, the print will be produced and shipped as soon as I return to the studio.
