Elderly Man Smoking Portrait Mysore Black And White | Limited Edition of 10
Direct Eye Contact Framed By White Hair And Beard
There is almost nowhere for the eye to escape in this portrait. The man looks directly into my camera, his face filling much of the frame, with deeply defined features, white hair, a full beard, and a cigarette resting between his lips. I photographed him in Mysore, India, from very close range, and that physical proximity is an important part of the photograph. The perspective feels immediate rather than distant; I was not observing him from across the street.
His eyes hold the photograph together. They are sharply defined beneath heavy brows, surrounded by wrinkles and the accumulated texture of an older face. The cigarette becomes the second small point of attention, giving the portrait another layer without overwhelming the expression. That combination of face, gesture, and direct eye contact connects naturally with my broader black and white street photography, where I am often drawn to people whose presence is more compelling than anything happening around them.
I deliberately left space to his right rather than centering him. The pale horizontal wall and repeating metal railing establish just enough of the surroundings to make this feel like a street encounter rather than a studio portrait. Those geometric lines contrast with the irregular texture of his hair, beard, skin, and loosely draped clothing. The black-and-white treatment removes unnecessary color and concentrates everything on tonal separation: white hair against dark skin, bright fabric against deeper shadows, and fine facial detail against the softer background.
What continues to interest me is how close I was when I made photographs like this. Working with a fixed wide-angle lens meant that if I wanted the person larger in the frame, I had to physically move toward them. That changed the relationship between photographer and subject. Here, the closeness is visible. The viewer does not feel separated from the man; the portrait has the intimacy of a brief face-to-face encounter.
This photograph is offered as a limited edition of only 10 prints. Each print is personally signed by me, includes a certificate of authenticity, and is produced with archival pigment inks on premium archival paper. The strong monochrome tones and direct human presence make it particularly suited to collectors drawn to documentary work, India, expressive faces, and character-driven wall art.
For more photographs built around similarly immediate human encounters, I include this image within my street portrait photography collection.
© Dan Kosmayer, 2010
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
