Senrigan Guardian Statue Sofukuji Temple Monochrome | Limited Edition of 10
Senrigan Watches From The Historic Mazu Hall
I photographed this figure inside the Mazu Hall at Sofukuji Temple in Nagasaki. The raised hand first caught my attention. It rests above the eyes in a gesture of searching, while the wide stare and clenched mouth give the guardian an expression that feels watchful, strained, and unexpectedly human. In this toned black-and-white photograph, the figure belongs naturally with my Japanese still life wall art, where objects are allowed to carry the visible evidence of age and use.
The guardian is Senrigan, an attendant of Mazu, the Chinese protector of seafarers. His name is commonly understood as the Thousand-Mile Eye, a reference to his ability to see across great distances and detect danger. The hand held to his forehead is not a casual pose; it identifies his role as the far-seeing guardian. At Sofukuji, he stands within a tradition brought to Nagasaki by Chinese merchants and sailors from Fujian.
Sofukuji was founded in 1629 by members of Nagasaki’s Chinese community and became an important temple of the Obaku school of Zen Buddhism. Its Chinese architectural and religious character remains distinct within Japan. The Mazu Hall reflects Nagasaki’s long history as a port: sailors brought images of Mazu ashore while their ships were in harbor and prayed for protection before returning to sea. Senrigan and his counterpart, Shunfeng’er, served as her vigilant attendants.
I photographed Senrigan in his actual historical setting rather than isolating him from the altar. Bowls, flowers, carved furnishings, and shadowed figures remain where I encountered them. They are not distractions or studio additions; they show how the artifact exists within the temple. That continuity is central to my historic relic wall art, where the surrounding place carries as much meaning as the object itself.
The photograph works for me because of the tension between strength and vulnerability. Senrigan appears fierce and alert, yet cracked paint, exposed layers, and worn carved surfaces reveal the passage of time. The raised arm creates a strong diagonal through the vertical frame, while the direct gaze keeps pulling attention back toward the face. Toned monochrome removes the distraction of color and lets the carving, texture, and expression lead.
This limited edition print suits a study, library, hallway, or contemporary room where art is expected to bring history and character rather than simply fill a wall. Its vertical format gives it presence, while the neutral palette works easily with wood, stone, and restrained interiors. Each print is made with archival pigment inks on premium archival paper, personally signed, and accompanied by a certificate of authenticity. The edition is limited to ten prints.
More photographs preserving sacred places and cultural memory appear in my Japanese history wall art.
© Dan Kosmayer, 2025
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
Worldwide Delivery Included
Every print is personally produced, inspected, signed, numbered, and carefully packaged by me at my studio in Haliburton, Ontario, Canada.
Worldwide delivery is included in the listed price, so there is no additional shipping charge added during checkout. I select an appropriate tracked delivery service based on the destination, print size, and current shipping requirements.
Delivery times vary by destination and may be affected by customs processing or circumstances beyond my control.
Because I also travel extensively to create new photographic work, studio dispatch may occasionally be delayed while I am away. When that happens, the print will be produced and shipped as soon as I return to the studio.
