Carrick a Rede Fishing Hut Northern Ireland | Limited Edition of 10
Fine Art Wall Print of the Historic Carrick-a-Rede Fishing Hut
This is one of the quietest places I’ve ever stood. A weathered hut clinging to the cliffside, overlooking the Atlantic just off Carrick-a-Rede. The wind was strong, and everything felt still at the same time. The old rope netting, the cracked window, the sea far below—it all felt frozen in its own rhythm. That’s what drew me to make this fine art wall print.
The Carrick-a-Rede Fishing Hut in Northern Ireland isn’t polished or staged. The building has endured salt, storms, and the passage of time. The wall is worn soft with age, and the window frame is chipped down to bare wood. But the glass still holds its reflection—clouds, cliffs, and a piece of sea that shifts with every gust of wind. It’s a working structure turned relic. You can feel the decades in every part of it.
What caught me wasn’t just the texture—it was the feeling of being tucked into a forgotten corner of the world. The cliffside is sharp and steep. The ocean below doesn’t make a sound you can hear from here—it just moves. You stand still, and the place does the talking. That’s what this Carrick-a-Rede Fishing Hut Northern Ireland print brings home: the quiet you don’t forget.
I chose black and white because the mood didn’t need colour. It needed contrast. You see the stone, the rope netting, and the angle of the wall as it turns toward the edge. The hut doesn’t dominate the landscape—it’s part of it. That balance is what makes the scene feel whole. Not dramatic. Not nostalgic. Just present.
I kept thinking about the people who used this hut—what they looked at through that window, what they waited for. The sea hasn’t changed much. But the hut, the land, even the silence—they’ve all deepened. That’s what I tried to preserve here.
© Dan Kosmayer, 2019
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
Worldwide Delivery Included
Every print is personally produced, inspected, signed, numbered, and carefully packaged by me at my studio in Haliburton, Ontario, Canada.
Worldwide delivery is included in the listed price, so there is no additional shipping charge added during checkout. I select an appropriate tracked delivery service based on the destination, print size, and current shipping requirements.
Delivery times vary by destination and may be affected by customs processing or circumstances beyond my control.
Because I also travel extensively to create new photographic work, studio dispatch may occasionally be delayed while I am away. When that happens, the print will be produced and shipped as soon as I return to the studio.
