Young Indian Girl Window Portrait Black And White | Limited Edition of 10
Quiet Unposed Portrait In Late Day Light
I made this photograph while walking around and exploring near Pollenthai Beach in India. The girl was not posed for me and I had not arranged the setting. She was simply sitting on the window sill when I came across her, caught in a patch of low directional light against a worn, heavily textured wall.
What immediately held me was the stillness of the scene. She looks directly toward the camera without performing for it. Her expression is quiet and self-contained, while her hands rest naturally together in her lap. The checkered shirt, loose trousers, weathered plaster and dark interior behind her give the portrait a sense of place without overwhelming the person herself. It is the kind of moment I look for when making unposed street portrait photography, and something already happening before I arrive with a camera.
The light is what gives the photograph its structure. It reaches across her face and upper body, then throws a distinct shadow onto the wall beside her. That shadow becomes almost a second presence in the frame. The bright, worn surface on the right contrasts with the dark opening behind her, while fine scratches, stains and years of wear remain visible across the plaster. Converting the image to black and white removes unnecessary color and concentrates everything on her eyes, the shape of the light, the tonal transitions and the texture surrounding her.
I have always preferred portraits where the environment remains part of the photograph. Here, I did not want to isolate her from the wall or turn the scene into a conventional head-and-shoulders portrait. The negative space and rough surface are part of what I remember about seeing her there.
As wall art, this photograph has a restrained quality rather than an overtly decorative one. I see it working particularly well for collectors drawn to black-and-white human photography, candid portraiture and photographs where character comes from both the person and the setting.
This photograph is offered as a limited edition of only 10 prints. Each print is personally signed by me and includes a certificate of authenticity. I print the photograph using archival pigment inks on premium archival paper, allowing the fine tonal separation in the face, clothing, shadow and wall texture to remain an important part of the finished print. It also belongs naturally among my photographs centered on people wall art.
© Dan Kosmayer, 2010
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
