Weathered Man Manhattan Street Portrait Black And White | Limited Edition of 10
I met this man on a side street in Manhattan, and the photograph came only after the encounter had become something much larger than a quick street portrait. I spent close to an hour walking and talking with him about life, music, the Yankees, and whatever else surfaced. That time mattered. By the time I raised the camera, there was no need to direct him or ask for an expression. I simply waited. For me, this is where black and white street photography becomes most interesting—when the photograph grows out of a real exchange rather than a passing glance.
What holds me here is his direct, wide-eyed gaze. It looks almost startled at first, but that was simply part of his natural presence. Deep lines run across his forehead and around his eyes, his white mustache breaks across the center of the frame, and wiry gray hair curls from beneath a worn baseball cap. The jacket collar, pale shirt, creased skin, and small irregularities in every surface give the portrait a remarkable amount of physical texture. Behind him, the Manhattan background falls away into soft darkness, leaving only blurred shapes and fragments of lettering. Nothing competes with the face.
I believed he was homeless at the time, although that was never what I wanted the photograph to be about. What stayed with me was the person. He had not eaten that day, so afterward I took him to a Chinese restaurant and told him to order whatever he wanted. He ordered a lot, ate it all, and we kept talking. It was a small thing in the course of a day, but it changed how I remember making this photograph. The frame is inseparable from that hour together.
I chose black and white because color would have added information I did not need. The tonal separation brings attention to the eyes, mustache, skin, hair, and worn clothing, while the close vertical composition keeps the encounter immediate. This is not a portrait built around polish. It is about presence, age, texture, and the brief trust that can exist between two strangers.
I offer this photograph as a limited edition of only 10 prints. Each print is personally signed, includes a certificate of authenticity, and is produced with archival pigment inks on premium archival paper. For collectors drawn to documentary work, New York life, expressive faces, and photographs with a genuine human story, this piece carries the character of a specific meeting rather than an anonymous city scene.
It also belongs naturally beside the other human encounters that have shaped my street portrait photography.
© Dan Kosmayer, 2019
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
