Toronto G20 Riot Police Black And White | Limited Edition of 10
Riot Gear And Shields During Toronto G20 Demonstrations
I made this photograph while walking through Toronto during the G20 demonstrations, moving through the streets with my camera and documenting the event as it unfolded. I was there as a photographer, not as a participant in the protest. What interested me was the unusual transformation of familiar city streets and the sheer visual presence of the police assembled throughout the downtown core.
This frame concentrates completely on that police presence. A heavily equipped officer occupies the center of the photograph, surrounded by layers of other officers wearing helmets, protective body armor, and uniforms. Transparent riot shields enter from both sides of the frame, creating a physical border around the scene. For me, photographs like this belong naturally within my G20 protest photography because they document not only demonstrators, but the security response and atmosphere surrounding a major public event.
What makes the photograph work for me is the central officer. Everything around him feels busy and compressed, yet his face gives the frame a clear point of attention. Behind him, officers overlap in different directions. Some wear riot helmets with raised visors while others wear standard police caps. Equipment, shields, straps, protective padding, and fragments of lettering accumulate throughout the image, giving the photograph a dense documentary quality.
Black and white was an obvious choice. Without color competing for attention, the repeated dark uniforms, transparent shields, faces, reflective helmet surfaces, and architectural lines become much more pronounced. There is also a strong contrast between the individual expressions of the officers and the almost uniform appearance created by their equipment.
I am drawn to photographs that preserve these brief pieces of public history without needing to tell the viewer what conclusion to reach. I photographed what was in front of me and allowed the camera to record the people, details, and tension of the street.
This photograph is offered as a limited edition of only 10 prints. Each print is personally signed by me, includes a certificate of authenticity, and is produced with archival pigment inks on premium archival paper.
As wall art, I see this working particularly well in a contemporary office, study, loft, or a collection centered on black-and-white documentary and street photography. Collectors interested in Toronto, public demonstrations, documentary photography, or the visual culture of law enforcement may also find a natural connection to my police wall art photography.
© Dan Kosmayer, 2010
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
