Sculptural Antarctic Iceberg Black And White | Limited Edition of 10
Eroded Ice Forms Rising Above Antarctic Water
Ice can take on forms that hardly seem possible, and that is what holds me in this Antarctic photograph. The iceberg has been carved into arches, openings, ridges, thin edges, and irregular chambers, creating something that feels less like a conventional landscape and more like an enormous natural sculpture. The broad opening in the foreground immediately draws me into the frame, while the higher jagged formation rises behind it against a sky filled with sweeping clouds.
I chose to present this photograph in black and white because the structure of the ice matters more to me here than its natural color. Without color competing for attention, the photograph becomes about shape, surface, light, and scale. That approach also connects it naturally with my broader collection of Antarctica wall art, where the landscape can range from immense open spaces to close studies of ice shaped by wind, water, and time.
The foreground water provides a dark foundation beneath the pale iceberg. Ripples and reflections break up the surface, while the brighter ice rises sharply above it. Across the iceberg itself, smooth sections sit beside rough, heavily textured areas. Some edges appear delicate and almost translucent; others look thick, heavy, and architectural. The distant snow-covered land and exposed dark rock on the right give the scene additional depth without distracting from the main formation.
What interests me most is how easily the photograph moves between landscape and abstraction. From across a room, the large white forms and dark water create a strong graphic composition. Closer inspection reveals smaller openings, layered ice, repeating textures, and subtle tonal changes throughout the surface. As black-and-white wall art, it can work particularly well in interiors built around neutral tones, natural materials, contemporary architecture, or a quieter monochromatic palette.
I offer this photograph as a limited edition of only 10 prints. Each print is personally signed and includes a certificate of authenticity. I print using archival pigment inks on premium archival paper, allowing the fine textures, bright ice, dark water, and broad range of gray tones to remain central to the finished print.
For collectors drawn to polar landscapes, natural sculpture, and the constantly changing forms created by ice, this photograph also belongs within my collection of iceberg wall art.
© Dan Kosmayer, 2011
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
