Five Men Against The Wall Black And White Street Portrait | Limited Edition of 10
Five Different Gestures In One Unscripted Summer Moment
I made this photograph during a hot, sunny summer day at Wasaga Beach in Ontario. I had my camera with me, as usual, and while walking around I came across this group of five men gathered against a rough stone wall. What caught me was not simply the group. It was how completely different every person looked at that exact instant.
The man on the left leans toward the camera with his mouth open, sunglasses on, a cap pulled low, and a towel hanging around his neck. Beside him another man stands more quietly, cigarette in hand. The shirtless man near the center turns toward me holding a ball, while the man in the white tank top faces forward with a drink in his hand. At the far right, the fifth figure stands in profile, visually closing the group. That combination of expressions, posture, hands, clothing, and small objects is what gives the photograph its character. It belongs naturally with my black and white street photography, where a fraction of a second can hold far more information than I first realize.
I particularly like the irregular rhythm of the five figures. Nobody is standing quite the same way. One leans, another turns, another looks directly outward, another seems almost detached from the commotion. The wall behind them keeps the setting simple and graphic, while the strong summer light creates crisp separation across faces, white shirts, dark shorts, sunglasses, and textured stone.
Converting the photograph to black and white allowed me to concentrate on those gestures rather than the distractions of color. The result feels less like a conventional group portrait and more like a collection of simultaneous individual moments. I can look from one person to the next and find a different expression or detail each time.
This photograph is offered as a limited edition of only 10 prints. Each print is personally signed by me, produced with archival pigment inks on premium archival paper, and accompanied by a certificate of authenticity.
As wall art, I see this working particularly well in contemporary, industrial, or restrained interiors where strong black-and-white photography can carry visual weight without relying on color. It may also appeal to collectors who respond to candid human behavior, summer memories, and photographs in which personality comes through without explanation.
What has stayed with me about this frame is exactly what made me raise the camera that day: five people standing only a few feet apart, yet each giving me a completely different photograph within the photograph, a quality that also runs through my expressions portrait photography.
© Dan Kosmayer, 2011
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
