Elderly Woman Portrait in Kampalapura India Black And White | Limited Edition of 10
Direct Gaze Silver Hair And Deep Facial Texture
At close range, this portrait is all about her gaze. I photographed this elderly woman in Kampalapura, India, filling much of the frame with her face while leaving a broad field of pale negative space to the right. Her silver hair is loose and finely detailed, with individual strands drifting outward from her head. Against the simple background, there is very little to compete with her eyes, expression, and the extraordinary texture of her face.
What drew me to this photograph was not simply age or character, but the directness of the encounter. Her eyes come forward immediately. The slightly open mouth and concentrated expression keep the portrait from feeling formal or posed, while the close framing lets every wrinkle, line, and variation in the skin remain part of the photograph. It belongs naturally within my street portrait photography because the image depends on the person rather than on a recognizable landmark or elaborate setting.
Black and white strips the photograph down even further. The dark tones of her face sit against the almost white background, while the lighter hair creates a second layer of contrast around the top and edges of the portrait. I kept the composition deliberately asymmetrical, allowing empty space beside her face rather than centering her like a conventional headshot. The loose strands of hair extending into that space prevent it from feeling vacant and give the frame a subtle sense of movement.
This is the kind of portrait that rewards being seen at different distances. From across a room, the eyes and face carry the photograph. Up close, the details become much more important: the fine lines around the eyes, the texture of the skin, the individual hairs, and the tonal transitions across her features. As wall art, I see it working particularly well in restrained contemporary interiors, studies, libraries, or personal collections where figurative photography can hold its own without needing color.
The photograph is offered as a limited edition of only 10 prints. Each print is personally signed and includes a certificate of authenticity. I produce the photograph using archival pigment inks on premium archival paper, preserving the fine tonal separation and facial detail that give the portrait its presence.
For collectors drawn to portraits where the eyes carry much of the story, the direct gaze also places this photograph naturally within my eyes wall art collection.
© Dan Kosmayer, 2010
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
