Elderly Man Doorway Portrait Cuba Black And White | Limited Edition of 10
Weathered Doorway Framing A Quiet Street Portrait
I made this black-and-white portrait in Cuba, photographing an elderly man standing just inside the entrance of a weathered building. He wears a broad-brimmed hat and striped shirt, his body almost entirely surrounded by the darkness of the interior behind him. One hand is raised beside his face, caught in a small gesture that gives the photograph much of its character.
What first holds me is his face. The light coming through the doorway reaches him while the room behind falls away into deep shadow, separating his features and hat from the darkness. His gaze is directed beyond the camera rather than straight into it, which leaves the moment slightly unresolved. That quiet sense of observation is something I look for in black and white street portrait photography, especially when a person and the surrounding environment contribute equally to the photograph.
The doorway is almost a second subject. Old wooden doors, worn plaster, chipped masonry, uneven surfaces, and the rough threshold create layers of texture around the figure. I deliberately kept the full doorway and the darker space to his left rather than reducing the photograph to a tighter head-and-shoulders portrait. The surrounding architecture gives him context and creates the visual balance of the frame.
Black and white strips away any competing color and puts the emphasis on light, gesture, age, surface, and expression. His pale shirt emerges strongly from the dark interior, while the weathered walls on either side retain enough detail to make the setting tangible. From across a room, the strong division between light and shadow gives the image immediate structure. Seen closer, the smaller details in his face, hands, clothing, doors, and deteriorating plaster begin to take over.
I can see this photograph working particularly well in interiors where documentary photography, monochrome artwork, old architecture, and human subjects already have a place. It has enough visual contrast for a larger wall while still rewarding the closer viewing I want from a fine art print.
I offer this photograph as a limited edition of only 10 prints. Each print is produced with archival pigment inks on premium archival paper, personally signed by me, and accompanied by a certificate of authenticity. For collectors drawn to the people, architecture, texture, and everyday visual character of the country, this image also belongs naturally within my Cuba wall art photography.
© Dan Kosmayer, 2017
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
