Ancient Tibetan Stone Tablets Northern China | Limited Edition of 10
Layered Tibetan Carvings In A Temple Setting
I found these ancient Tibetan stone tablets at a temple in northern China while traveling toward Larung Gar. They were not displayed in neat rows or isolated behind glass. Instead, they were stacked together in a dense, irregular mass—broken slabs leaning against one another, carved surfaces partly hidden, inscriptions disappearing behind neighboring stones. That disorder was exactly what caught my attention.
I am often drawn to things that other people pass without stopping, and this was one of those subjects. The photograph belongs naturally within my China wall art collection, but what interested me most was not simply where I found the tablets. It was the accumulation of age, carving, damage, repetition, and human touch contained within a relatively small space.
In black and white, the photograph becomes almost entirely about surface. Deep incisions cut across the darker stones while lighter markings and weathered patches interrupt the pattern. Some tablets stand nearly upright. Others lie at angles, partially buried behind the pieces in front of them. Near the right side of the frame, one carved surface takes on an almost face-like appearance, while the surrounding fragments reveal different styles of inscription and ornament as the eye moves through the photograph.
I deliberately kept the composition dense. I wanted the viewer to experience the tablets the way I encountered them—not as individual museum objects, but as layers of history crowded together. From a distance, the photograph reads as an intricate field of stone and shadow. Up close, individual carvings begin to emerge, one after another.
I offer this photograph as a limited edition of only 10 prints. Each print is personally signed by me and includes a certificate of authenticity. I print the photograph using archival pigment inks on premium archival paper, preserving the fine engraved detail, subtle gray tones, and deep separation between the stones.
As wall art, this piece would particularly suit collectors drawn to Tibetan culture, historic artifacts, archaeology, weathered surfaces, and unusual subjects that reveal themselves slowly rather than all at once. For those interested in remnants of the past and the visual character of age, it also sits naturally beside my ancient ruins wall art.
© Dan Kosmayer, 2015
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
