Abandoned Mineral Hot Springs South of Jackpot, Nevada | Limited Edition of 10
Still Standing in the Silence of Nevada
This place was the kind of roadside oddity you only stumble upon if you’re willing to wander. South of Jackpot, Nevada—half swallowed by sagebrush and silence—sits this defunct mineral hot springs building, long past its last bath. A flat, concrete box with graffiti-tagged walls, missing windows, and a rusting metal sign frame that no longer spells anything.
But somehow, it still holds presence.
I was out chasing late-day light when I found it—low sun cutting sharp across the front, illuminating every crack in the block walls and every faded letter in “MINERAL HOT SPRINGS.” The structure is plain, almost aggressively utilitarian, but the decay gives it texture and story. It’s the kind of place that makes you wonder about the people who used to stop here. Tourists looking for a soak. Locals meeting for small-town gossip. A few too many beers and a long desert night.
I didn’t frame this shot for nostalgia. I wasn’t trying to romanticize what’s clearly gone. I wanted to document how something as ordinary as a roadside bathhouse can become an icon simply by refusing to vanish. It’s now a monument to nothing in particular—just another desert ghost clinging to the edge of the highway and memory.
There’s humour in the stubbornness of this place. The half-hearted graffiti, the caved-in awning, the absurdity of offering “luxury” in a crumbling shell surrounded by tumbleweed. But there’s also dignity. A quiet dignity that comes from existing on your own terms, long after anyone expected you to.
If you’ve ever found beauty in forgotten things, in roadside ruins, in empty places that still manage to feel lived-in, this one’s for you.
You’ll find more images like this in my Abandoned Photography Collection—each one a meditation on what’s left behind and the stories that linger in the bones.
© Dan Kosmayer, 2022
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
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I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
Worldwide Delivery Included
Every print is personally produced, inspected, signed, numbered, and carefully packaged by me at my studio in Haliburton, Ontario, Canada.
Worldwide delivery is included in the listed price, so there is no additional shipping charge added during checkout. I select an appropriate tracked delivery service based on the destination, print size, and current shipping requirements.
Delivery times vary by destination and may be affected by customs processing or circumstances beyond my control.
Because I also travel extensively to create new photographic work, studio dispatch may occasionally be delayed while I am away. When that happens, the print will be produced and shipped as soon as I return to the studio.