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Abandoned Hotel Entrance Ruins Zagreb Black And White | Limited Edition of 10

Sale price $159.00 CAD

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Broken Doors Beneath The Grandeur Of A Forgotten Hotel

I photographed this abandoned hotel entrance in the Zagreb area of Croatia, standing inside a building that had already lived through several very different identities. It was originally a hotel, then later taken over and used as a mental care hospital. By the time I entered it with my camera, both chapters had ended, leaving the architecture exposed to weather, neglect, graffiti, and time.

This photograph belongs naturally within my urban decay photography because the destruction has not erased the building’s original ambition. The entrance is still theatrical. Tall columns, curved glass frames, carved plaster, decorative crests, and paneled doors reveal a place once designed to make an impression. Yet nearly every refined element has been fractured, boarded over, stained, or pulled out of alignment.

The broken entrance doors became the center of the composition. They remain partly open, but the mismatched wooden boards and diagonal braces make the doorway feel uncertain, as though the building is resisting entry while simultaneously revealing what lies beyond. Above them, the surviving arch rises through layers of cracked ornament and shattered glass. The ceiling and walls are collapsing, yet the craftsmanship is still visible beneath the damage.

I made the photograph in black and white because color distracted from the physical character of the structure. Monochrome brings the plaster, splintered wood, masonry, graffiti, and rubble into one continuous tonal world. Light entering through the damaged openings creates separation within the dense detail, drawing my eye toward the doorway before allowing it to wander into the surrounding decay.

The scattered material across the floor is not incidental. Broken boards, plaster, stone, metal, and fragments of the building form a rough foreground that leads toward the entrance. That complexity gives this piece a different character from more polished architectural photography. My abandoned places wall art often focuses on the evidence left behind when a building no longer serves the purpose for which it was created.

This photograph would suit an interior that can carry strong architectural detail and a darker historical atmosphere. It could work particularly well in a modern loft, library, office, studio, or monochrome room where the intricate textures can be viewed from both across the space and close range. The image has immediate structural impact, but much of its strength lies in the smaller details discovered slowly.

Each limited edition print is personally signed by me and includes a certificate of authenticity. I print the photograph using archival pigment inks on archival paper, preserving the fine tonal separation and surface detail that give the ruined entrance its depth.

The abandoned hotel also forms part of my wider bygone era wall art, where architecture carries the visible remains of lives, institutions, and histories that have quietly disappeared.

© Dan Kosmayer, 2020

Limited Edition of 10

This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.

Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.

I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.

Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.

Premium Archival Fine Art Prints

I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.

The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.

Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.

Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.

Worldwide Delivery Included

Every print is personally produced, inspected, signed, numbered, and carefully packaged by me at my studio in Haliburton, Ontario, Canada.

Worldwide delivery is included in the listed price, so there is no additional shipping charge added during checkout. I select an appropriate tracked delivery service based on the destination, print size, and current shipping requirements.

Delivery times vary by destination and may be affected by customs processing or circumstances beyond my control.

Because I also travel extensively to create new photographic work, studio dispatch may occasionally be delayed while I am away. When that happens, the print will be produced and shipped as soon as I return to the studio.

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