Beijing Brick Wall With Faded Chinese Writing Colour Photography
Red and White Marks Across Ochre and Grey Bricks
Faded red and white writing crosses the brick courses of this Beijing wall. I photographed the surface closely, filling the vertical frame with its marks, colour changes and uneven masonry. The upper bricks have a warm ochre tone, while the lower portion shifts into cooler greys. Between them, darker patches and traces of painted characters create a less regular pattern.
What interests me is how several different kinds of lines occupy the same surface. The mortar joints run horizontally, giving the wall a steady structure, while the writing cuts across them in larger strokes. Some marks are clearer than others, and broken edges or pale areas interrupt their outlines. I like that mixture of readable shapes and less definite traces. The photograph keeps the rough brick texture visible throughout, so the writing remains connected to the surface that carries it.
This small part of Beijing offers enough variation to work as an abstract image. Your eye can follow a row of bricks, move to a red stroke and then notice the change from warm to cool colour farther down. For a wall in a study or a room with muted earth tones, it brings an urban detail with a restrained palette and fine texture. My close view allows the ordinary building material and its faded markings to become the entire subject, with new details appearing as you spend more time looking.
© Dan Kosmayer, 2015
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About My Fine Art Photography
Every photograph in my collection comes from my own travels, explorations, and years behind the camera.
I create my work as photographic art rather than mass-produced decoration. From street portraits and abandoned places to landscapes, architecture, and the unusual subjects I discover along the way, each image begins with something that made me stop and look.
My photographs are available in multiple sizes so the same image can work in anything from an intimate wall space to a large statement installation.