Temple of Appliques Ulaanbaatar Black And White | Limited Edition of 10
Weathered Mongolian Carvings Frame the Temple Door
Standing in front of the Temple of Appliques in Ulaanbaatar, I was drawn less to any single ornament than to the accumulation of detail across its weathered facade. Rows of carved roof tiles sit above painted timber beams, decorative brackets, worn columns, lattice panels, and a central wooden door. A leafy shrub pushes into the formal symmetry from the left, while the stone path leads directly toward the entrance. This photograph forms part of my Mongolia fine art photography collection, where architecture carries the marks of climate, belief, and daily life.
Traveling through Mongolia, I found that many temples and palaces had not been polished into immaculate attractions. Their faded pigments, scarred wood, uneven surfaces, and repairs remained visible. I photographed this temple on location in Ulaanbaatar because those imperfections made the building feel present and authentic. I wanted to preserve that honest condition instead of making the temple appear newer or more perfect than it was. The black-and-white treatment removes the distraction of color so the structure, tonal variation, and hand-worked surfaces become the subject.
The Temple of Appliques takes its name from Mongolia's long textile tradition. Appliqué images were assembled from carefully shaped pieces of silk and brocade, then detailed with thread and, in important works, precious materials. The information at the site traces the practice back to the Xiongnu era and describes how it developed alongside Buddhism into a distinctive Mongolian art form. It also records a workshop of 24 embroidery artisans working under established masters. That relationship between a surviving structure and the traditions held within it places the photograph naturally among my historic architecture wall art photographs.
What makes this image work for me is the balance between order and imperfection. The roof and beams create strong horizontal layers, the doorway anchors the center, and the irregular foliage keeps the facade from becoming rigid. The monochrome rendering lets the weathered wood and repeated motifs carry the image without turning it into a clinical architectural record.
The square composition works well in a living room, study, library, or quiet entryway, particularly with neutral, rustic, heritage-inspired, or minimalist decor. It offers intricate pattern from nearby and a clear, balanced structure when viewed across a room. Each limited edition print is personally signed and includes a certificate of authenticity. It is produced with archival pigment inks on premium archival paper for lasting tonal depth and detail.
For related photographs of sacred structures and weathered religious architecture, see my temple wall art photography collection.
© Dan Kosmayer, 2023
Limited Edition of 10
This photograph is released as a signed and numbered limited edition of only 10 prints in total across all available sizes combined—not 10 prints in each size.
Every size is drawn from the same edition. Whether the photograph is purchased as a small print or at the largest available size, it uses one of the 10 edition numbers.
I personally sign and number each print on the reverse, and every print is accompanied by a signed Certificate of Authenticity recording its title, dimensions, medium, edition number, and date of issue.
Once all 10 prints have been sold, the edition will be permanently closed. No additional numbered editions of the photograph will be produced in another size or format.
Premium Archival Fine Art Prints
I personally produce every photograph using archival pigment inks on premium archival paper with a subtle luster finish.
The paper provides rich tonal depth, excellent fine-detail reproduction, and a refined surface that reduces distracting glare under normal indoor lighting. It is especially well suited to both color and black-and-white photography.
Each photograph is sold as an unframed fine art print, allowing it to be framed according to the collector’s space and personal style.
Before a print leaves my studio, I carefully inspect it for color, tonal accuracy, surface quality, and overall presentation. Nothing is outsourced, and every finished print passes through my hands.
Worldwide Delivery Included
Every print is personally produced, inspected, signed, numbered, and carefully packaged by me at my studio in Haliburton, Ontario, Canada.
Worldwide delivery is included in the listed price, so there is no additional shipping charge added during checkout. I select an appropriate tracked delivery service based on the destination, print size, and current shipping requirements.
Delivery times vary by destination and may be affected by customs processing or circumstances beyond my control.
Because I also travel extensively to create new photographic work, studio dispatch may occasionally be delayed while I am away. When that happens, the print will be produced and shipped as soon as I return to the studio.
